She knows Mario Magonio and his Theatre in 1974 accidentally assisting to a show, and is endured attracted from that world for her completely new
She proposed herself as collaborator and thanks to its great availability and organizational ability become endured the factotum of the company, just for this reason comes nicknamed the Tata.
Taxes, permissions, negotiations with the artists agents and the customers become her specialty and her greatest logic and clarity become the just counterbalance to the creativity and passion of the actors who in short time depend for all from her
she participated actively to the laboratory of the theatre in every occasion
becoming taylor, painter, carpenter and driver following the
In particular she preferred to work during the shows like technician of the sound and noise effect and some soundtrack, mixed and recorded for hours with infinite patience, were a indispensable componentof the shows.
are by now 22 years that she follows the company and her passion and availability is
still today the same of the first day, becouse, as she is usual to say with her
Il Teatro dei Burattini oh ti fa rimanere
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