…….. .. . ……………… ……………..:::::::::::::::::……………………………………………
agostino di scipio |
home | info | upcoming sounds | upcoming lectures | available materials | external links | disclaimer
.  . . . ... …… . . .. ……..: : ::::::::::::::::.......::::::::.....::.::::....::::::::::........::::::::::::::::::::::::......... ... . . . .

recent publications
- Later Arrivals. Artistic Research in Music and in Music Technology
(here) (in italiano qui [RATM link])
- Technology and an Economy of Means
(here [publisher link])
- Relational Ontology of Feedback
(
here) + collection of musical examples (there)
- Thinking Liveness in Performance with Live Electronics (here)
- La sintesi del suono in Xenakis. Indagine di una ricerca compositiva (qui)

- CIRCUITI DEL TEMPO.
Un percorso storico-critico nella creatività musicale elettroacustica e informatica (2021) - dettagli

recent music / sound art releases
- Dos Dialogos con Gonzalo (online collective album, 2023) here
- Machine Milieu a duo project with
Dario Sanfilippo (CD and online album, 2021) here
- eMail Sound Supplement (DEGEM USB-VCard in Digipack 4 für Folkmar Hein, 2024) - hier

more
- QU’EST-CE QUI EST « VIVANT » DANS LA PERFORMANCE LIVE ELECTRONICS?
École Doctorale Esthétique Science et Technologies des Arts / Univ. Paris 8 (Julliet 2020)
ici

direct links (see more external links here)
- release of Soglie di pressione in Germano Scurti’s CD project Fly (electronic music for accordeon) here
- Audible Ecosystemics n.3b  performed by Andrea Young on Redshift Records  here
- release of Impedance performed the GreyWing Ensemble on Tonelist 
here
- cd issue
WORKS FOR STRINGS AND LIVE ELECTRONICS (Neos Records) 
- cd issue
SOUND CONCRETIONS / CONCREZIONI SONORE / Works for piano and live electronics (Stradivarius)
- info
Polveri sonore. Una prospettiva ecosistemica della composizione (book + CD)

sound.self.other catalog of the 2011 Berlin solo exhibition
download here (compact pdf)

::::::::::::::::.......::::::::.....::.::::....::::::::::........::::::::::::::::::::::::......... ... . . . .