ARCTURUS

Genre(s)

Avant-Garde, Atmospheric Black (early)

Lyrical theme(s)

Astronomy, Winter, The Supernatural, Literature

Origin

Formed in

Current label

Status

Norway (Oslo)

1987

Ad Astra

Active

Current line-up

Øyvind Hægeland - Vocals (Spiral Architect, Manitou)
Knut M. Valle - Guitars
Hugh Stephen James Mingay, aka. Skoll - Bass
Steinar Sverd Johnsen - Keyboards (ex-Covenant, ex-The Kovenant)
Jan Axel Von Blomberg (Hellhammer) - Drums
(Mayhem (Nor), Winds (Nor), ex-The Kovenant, ex-Covenant, Jørn, Thorns (guest on "Thorns"), Shining, Mezzerschmitt)

Former/past member(s)

Kristoffer "Garm" Rygg - Vocals (Ulver, ex-Borknagar)
Tomas "Samoth" Thormodsæter Haugen - guitars(Emperor, Zyklon, ex-Zyklon-B, ex-Gorgoroth, Burzum, Thou Shalt Suffer, ex-Ildjarn, Satyricon, Ulver)
Marius Vold - Bass
Dag F. Gravem - Bass

Session musicians:
Erik Olivier Lancelot - Flute (Valhall, ex-Ulver)
Simen Hestnæs "ICS Vortex" - vocals, lyrics
Jørn Henrik Sværen - lyrics
Ihsahn - guest vocals (Emperor, Thou Shalt Suffer, Peccatum, Zyklon-B, ex-Satyricon, Wongraven, Ildjarn, Ulver)

Additional notes

Originally planned on being a Death Metal band named Mortem, but evolved into an Atmospheric Black Metal band, and later into an Avantgarde band.

Discography

Slow Death

EP, 1989

Slow Death

Demo, 1989

Promo 90

Demo, 1990

My Angel

Single, 1991

Constellation

EP, 1993

Aspera Hiems Symfonia

Full-length, 1996

La Masquerade Infernale

Full-length, 1997

Reconstellation

EP, 1999

Disguised Masters

Full-length, 1999

Aspera Heims Symfonia/Constellation/My Angel

Best of/Compilation, 2002

The Sham Mirrors

Full-length, 2002

This is a band that have written history without becoming a source of inspiration for other acts, simply because their avantgarde form of art is something magic and totally personal, something to admire, not to copy...You can’t find the typical bunch of kids saying "Let’s try to sound Arcturus", because the music of that band is composed by skilled musician who have submitted their quality to an highly emotional, visionary, sometimes abstract form of music, creating something eternal.
In 1991, when everyone was sounding raw and primitive, beyond the trend, they started their musical experience with the famous 7’’ "My Angel", a fantastic mixture of metal, electronic-darkness and disturbing noise elements. Thanks to that 7’’ Arcturus gained a great underground respectability, but three years passed before their next work, the promotional “Constellation”, where the sound changes drastically into a melodic, symphonic, majestic and monumental picture of the northern lands, the mysticism of its night sky. Four awesome songs, recorded without the bass, like a star glimpse.

The result of this promotional work is a contract and the 1995 masterpiece
"Aspera Hiems Symfonia" (Vote 9.5), a mixture of pure majestic art, an eternal vision of a snowy land and a forlorn epic memory in the background. Garm’s clean voice, apart from the more conventional black-screaming, picture great emotional views, a great feeling a bit melancholic.
The Sverd performance of the keyboards is simply astonishing, he’s able to insert the right moods with the right timing, and the guitar-work of August add great melodic lines and great solos, perfectly mixed with the global atmosphere. The result of this incredible teamwork is a never-ending storm of emotions. But the best it was yet to come, they work harder to return with what I consider, and probably I will forever believe to be, the best avantgarde album of the post-blackmetal era!
 
(1997) "La Masquerade Infernale" (Vote 10 +), an incredible mix of different influences, a fusion of madness, and extremism without brutality, a way to corrupt the conservatism of a stagnation that was transforming the black metal eerie feeling into the early days in something ordinary (apart from the greats act of Emperor-Anthems! and Satyricon- Nemesis!), something completely new and never heard before. A rebellion, a satanic chaotic war against the low profile attitude of people already become old, an energy without chains, where electronic, noise, jazz, classical orchestral elements, a psychedelic touch worked together to create something unique. Theatrical atmosphere, Melancholy, Sadness, Rebellion, where mixed in a melting-pot of magic. The arrangements are simply amazing, Garm performers a very original voice, like a faustian thinker, theatrical and intimist. The keybords, synths. and orchestral parts are the main part of the music, together with the electro-noise inserts, the sound is so complex that every listening is a challenge to capture the elements mixed in that cauldron of magic! a page of music history!
 
It has been really a drama the Arcturus’s split after that album, only a remix album came-out in 1999, "Disguised Masters" (Vote 7), nothing to do with the artistic superiority of their previous recordings, they recorded an only interesting, but much more electronic, new song, and totally changed the "Masquerade" songs in a electro-noise way, losing all their theatrical and classical atmosphere. It was an epitaph, nothing more, a long period passed, but from the silent, after long time, Arcturus came-back in 2002 restarting from the point they left after "La Masquerade".
It was clear, after the late Ulver release, that the sound should be much more electronic and less classical."Sham Mirrors" (Vote 9.5) have lost some of the originalities of the bands, is much more metal oriented and linear but still represent a unique and spectacular creation. The madness wasn’t died at all, an electronic mixture work with a more solid metal guitar-work, but there are surprises there and there, able to capture the attention of the ambitious listener. The Dark mood is projected in the mysterious space, in some moments it reminds me to "My Angel", but differently from that there’s a less claustrophobic atmosphere, like a liberation, an escape from the terrestrial visions. The last song is a long journey that pays all the long Arcturus departure from the scene.
What a dream...

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