MOONSPELL

 

This is one of the most important names of the dark-gothic metal genre, a band that have written important pages like with the full-lenght “Wolfheart” (Vote 9.5), a mix of heavy-doom metal with a strong vampiric and romantic atmosphere, a music probably inspired by that type of literature.
The objective of the band was to picture a twilight scenario in a rapture of decadence, a visionary thirst of black magic. After so many years of exposition almost nobody have tried with success to represent that imaginary with the same quality, only Cradle of Filth, in a dark and more evil way, have reached higher results, but with a different approach, not so similar to the “Wolfheart” influences. Moonspell created something unique, original with a strong emotive impact.

The next work is “Irreligous” (Vote 9), an album that have probably acquired part of the success that Wolfheart deserved, it’s surely a very good album with a less vampiric influence.
“Irreligious” is much more a gothic album in the extensive sense of the word, “Wolfhearth” was like a story, an almost perfect story, and the new one is much like a book of dark novels, there’s less visual conformity but the excellence of the previous works is near but not reached.
After all Moospell have been able to not change radically but also to not repeat them.
The most horrible album ever made by the band is the third, titled “Sin/Pecado” (Vote 5) a failed mix between gothic-dark metal and electro-dark, a work where two or three good songs are surrounded by boring tracks, and a psuedo-commercial-dance influence is something audible to confirm the decadence of that band. “The Butterfly Effect” (Vote 4.5), the fourth album, is another demonstration of the band confusion. The result of the songwriting is an insipid and nervous type of music that have nothing in common with the quality and feeling of the band. After a more meditate retrospective the band have realized the muddling path that they’ve chosen with that last release and turned a bit back to the early atmospheres, but without the same level of inspiration and spontaneity.

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