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Waterman in Italy
Aurora's subbrands: OLO


Aurora's subbrands: OLO


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"OLO" in the Duofold style

Much has been written on Aurora pens but very little has been recorded on the subject of Aurora's sub-brands, which actually represent a major facet of the famous Turin-based pen company's product lines.
In the late 20s, Aurora implemented a program of product diversification meant to enlarge its share of the market and enhance its sales volume. Two new lines of writing instruments were created to flank Aurora's standard product range; they were named OLO and ASCO. With these two sub-brands, Aurora directed its sights toward two different segments of the market: Asco pens were meant to be used mostly as promotional products, to be sold to companies wishing to use a writing instrument as a means of advertizing (which was extremely fashionable at the time); Olo pens, in contrast, were designed to appeal to buyers who wanted a reliable and long-lasting writing instrument at very competitive prices.

Aurora developed a very innovative marketing strategy for the Olo line. As opposed to normal channels of distribution such as Stationers, these pens were distributed through through outlets of various types, such as newsstands and mail catalogues. Most importantly, these pens would soon be found practically everywhere.
The "Olo" line was first introduced in 1929. Early models were simple safeties in black hard rubber in two sizes; they recalled in shap, size and design Aurora's standard safety models models "R.A. 3" (large) and "R.A. 0" (small). These pens have the "Olo" imprint on the barrel and carry "Olo" 14ct gold nibs.

Left: Olo Safety
Right: Aurora Safety "R.A.3"
The idea was enormously successful and in a very short while the "Olo" range was enlarged. New button fillers in celluloid were introduced which were reminiscent of the "Duofold" style, had a ball-ended clip and a wide cap band. There were only two sizes available (medium and large) and the range of colours comprised solid black along with limited number of other solid and marbled colours.The "Olo" imprint is present both on the barrel and on the black hard rubber section of these pens, which are today quite rare.

Earlier than 1935, the entire Olo range was totally revamped. The pens were completely redesigned to make them more fashionable. Cap trims were restyled(two narrow cap bands replaced the wide band of the earlier models), the traditional ball-ended clip was discontinued and substituted with a typical Aurora clip with a diamond-shaped end (this clip was the same as the one used on some of the most famous Aurora models of the 30s, e.g. Etiopia, Asterope, Superna).
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"Olo Lusso" in marbled celluloid showing the medium and the large size
The new line was named "OLO LUSSO". Pens were available in two sizes (large and medium) and had the "Olo" imprint either on the section or on the barrel.The range of colours was made up of 5 marbled variations (red, brown, gray, blue, green) as well as solid black. Cap trims were be either chrome or gold filled, depending on the year of production. Nibs on these pens are 14 ct gold with the "Olo" logo; wartime nibs, which also exist, were in steel.

In the late 30s the range of celluloids used for the "Olo Lusso" series was enlarged and these pens were produced in exactly the same colours as the 1936 Aurora Novum models (colours: gray, green, brown, blue and black). Cap trims remained unaltered.
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see the comparison between an "Olo Lusso" (top) and an Aurora Novum in green celluloid (bottom)

During this same period, new Olo pens were introduced as part and parcel of Aurora's general catalogues. These were offered as a line of pens of good quality and high reliability at lower prices than the more sophisticated Aurora series of the time. The pens were called "OLO GAMMA" and "OLO F.".
"Olo Gamma" pens had the same clip as the Lusso series but the aesthetics of the pens were enriched by a metal trim placed on the cap top and on the blind cap (either gold filled or chrome). They were available in two sizes and six different colours.
In contrast "Olo F." pens were faceted and had a single cap band. They, too, were produced in two sizes and six different colours.
Both lines were button fillers and caried Olo 14 ct or steel nibs.
The introduction of these series marked a change in Aurora's marketing strategy, as they were meant to be sold by Stationers, too. Special display boxes were provided to show the range of colours and pencils existed to match the new Olo series as well.

The last evolution of the "Olo" line dates back to the early 40s, when the style of the clip was changed again, hand in hand with the restyling of the latest Novum series. The "Olo" line was finally discontinued in the mid 40s.

"Olo" pens with 18 K.R. overlay also exist as both safeties and button fillers. Safeties (called "Tipo 3": large with clip and "Tipo 0": small with cap ring) show patterns and decorations which clearly recall Aurora's choices for its standard safety models with overlay, while button fillers (called "Tipo 10") often show unusual patterns which seems to have been used solely on these pens . The "Olo" imprint was generally placed on the lower section of the barrel.
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Two "Olo Lusso" showing details of nibs and imprints on the sections

Although meant to be a series of low-cost pens, Olo models are very often extremely beautiful and desirable. Celluloids are of high quality along with cap trims, especially on the products of the 30s. Rarely, even to this day, do they show any sign of "weakness". It is evident that Aurora achieved their goal of reduced production costs (and consequently of retail prices) more through the standardization of the filling mechanism ("Olo" pens, apart from safeties, are all button fillers) and the sizes (only two sizes for each model) than through the choice of cheap celluloid and low-quality trims.

 

 

 

 





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