Storia del vetro di Murano
Il Capitolare dell'Arte vetraria muranese del '700. III parte. Le bozze di Perfezione dei lavori e Custodia e Pietà e CaritàThe "Capitolare" of glass art in Murano of the eighteenth Century. Part III. Rough drafts for "Perfecting the work process", "Custody" and "Piety and Charity"
Si completa la trascrizione dei settori del Capitolare settecentesco dei vetrai muranesi rimasti in bozza, riportando: disciplina (per ottenere lavori perfetti bisognava che gli allievi fossero perfettamente istruiti e le materie prime scelte accuratamente), variabilità dei lavori (erano previsti premi per gli inventori di nuovi colori), custodia dell'arte (solo i muranesi potevano lavorare nelle fornaci e non dovevano allontanarsi dall'isola), custodia delle leggi (settore relativo alle modalità di applicazione delle leggi) e pietà e carità (sostegni agli ammalati e invalidi e ai vecchi)
In this essay author transcribes the unpublished rought drafts of the "Capitolare" or "Glass Art Register in Murano" approved in the XVIII century. They include: "Discipline" (to obtain perfect glass work pupils had to be perfectly learned and raw materials had to be selected with care), "Work variability" (prizes were awar to those who invented new colours), "Art custody (only people from Murano were allowed to work in the furnaces and they couldn't leave t sland), "Custody of the Laws" (segment regarding law application), "Piety and Charity" (aid to the sick, the invalid and the elderly)
Paolo Zecchin Via Cappuccina 13 Mestre Venezia
The "Capitolare" of glass art in Murano of the eighteenth Century. Part III. Rough drafts for "Perfecting the work process", "Custody" and "Piety and Charity"
Si completa la trascrizione dei settori del Capitolare settecentesco dei vetrai muranesi rimasti in bozza, riportando: disciplina (per ottenere lavori perfetti bisognava che gli allievi fossero perfettamente istruiti e le materie prime scelte accuratamente), variabilità dei lavori (erano previsti premi per gli inventori di nuovi colori), custodia dell'arte (solo i muranesi potevano lavorare nelle fornaci e non dovevano allontanarsi dall'isola), custodia delle leggi (settore relativo alle modalità di applicazione delle leggi) e pietà e carità (sostegni agli ammalati e invalidi e ai vecchi)
In this essay author transcribes the unpublished rought drafts of the "Capitolare" or "Glass Art Register in Murano" approved in the XVIII century. They include: "Discipline" (to obtain perfect glass work pupils had to be perfectly learned and raw materials had to be selected with care), "Work variability" (prizes were awar to those who invented new colours), "Art custody (only people from Murano were allowed to work in the furnaces and they couldn't leave t sland), "Custody of the Laws" (segment regarding law application), "Piety and Charity" (aid to the sick, the invalid and the elderly)
Paolo Zecchin Via Cappuccina 13 Mestre Venezia
In this essay author transcribes the unpublished rought drafts of the "Capitolare" or "Glass Art Register in Murano" approved in the XVIII century. They include: "Discipline" (to obtain perfect glass work pupils had to be perfectly learned and raw materials had to be selected with care), "Work variability" (prizes were awar to those who invented new colours), "Art custody (only people from Murano were allowed to work in the furnaces and they couldn't leave t sland), "Custody of the Laws" (segment regarding law application), "Piety and Charity" (aid to the sick, the invalid and the elderly)