AIS Nikkor 105 mm f/2.5
| Lens construction: | 5 elements in 4 groups |
| Focus distance: | 1 m to infinity |
| Angle of View: | 23° 20' |
| Max. reproduction ratio: | 1:7.69 |
| Aperture scale: | f/2.5 to f/22 |
| Attachment size: | 52 mm |
| Diaphgram blades: | 7 |
| Lens hood: | built-in |
| Dimensions: | 64 mm (dia.) x 77.5 mm (length) |
| Weight: | 435 g |
In 1959 the Nikkor 10.5 cm f/2.5 was introduced. This lens had the same optical formula as the 105 mm f/2.5 presented in 1953 for the rangefinder cameras. In december 1970 the 4 groups design replaced the original optical formula (5 elements in 3 groups) of the earlier version. The minimum focusing distance was reduced to 1 m. The AI and AIS versions were presented in 1977 and 1981, respectively.
The 105/2.5 is solidly built as most of the MF Nikkor lenses and can be rated as a top-class lens in terms of contrast and freedom of both vignetting and distorsion. It also ensures good "bokeh" and pleasant out-of-focus rendition. At infinity this lens is very sharp center to corner at f/4 onwards. The sharpness declines at wider apertures (f/2.5-f/4) near minimun focus. This fact is probably attributable to the lack of a floating elements' design. As a matter of fact, at about 1-1.5 m and at wide stops, the 105/2.5 is bettered by the AI Micro-Nikkor 105/2.8.
The images below were taken in my city with the 105 coupled to my FM (film: Provia 100).
Welcome to Rome (picture taken @ f/2.5)
Palatino (picture taken @ f/4)
Jazz players along "Via dei Fori Imperiali" (picture taken @ f/4)
"Via dei Fori Imperiali"
All images © Copyright Riccardo Polini