Disc 1
 
14. STANDARTE - Necropolis incl. "Verso L'Ignoto"
(1998, Black Widow Records, BWRCD 025-2)

A TRIBUTE TO TERROR

The Black Widow label in Italy has released a very interesting package that includes a book and a double CD. Together they offer tribute to horror films in general,but more specifically to the work of Italian horror flick directors Mario Bava and Lucio Fulci. The book is written in both Italian and English and delivers a general overview of the horror genre. It starts with the Universal horror films of the 1930s like Frankenstein and Dracula,documents the British Hammer Studios films,and finishes with Interview With A Vampire. It contains filmographies of Bava and Fulci,as well as a recommended film list. More specifically,several chapters deal with the Italian horror genre and its connection to progression rock. The Italian band Goblin was most prolific when it came to soundtracks. They produced many over the years including Profondo Rosso and Suspiria,both directed by Dario Argento. Argento was the director with the greatest tie to progressive rock,using Keith Emerson to write and perform the soundtrack to Inferno. The book provides a detailed breakdown of each track on the double CD. All the bands and personell are listed,including a paragraph or two on the connection between the music and the films. It closes with an essay on the relationship between music and the horror genre. For instance,how would The Exorcist have fared without Mike Oldfield's signature "Tubular Bells" in the soundtrack? The double CD features a host of bands with styles ranging from death metal to pure progressive. Each track is inspired by a classic horror film. Some interpret the original soundtrack music while others are original compositions. Appropriately, all are very dark in feel. Disc one contains 14 tracks. Al Festa contributes music from is own film, Fatal Flames. It is more than a tip of the hat to Oldfield. Wounded Knee delivers another remake from the soundtrack to Argento's Phenomena,which stars a very young Jennifer Connelly is a teenager with telephatic powers. Standarte finishes off the first disc nicely with original music inspired by Fulci's The Beyond. Disc two includes Ars Nova from Japan playing a tribute to the film Poltergeist:"Ainsel" is mostly the keyboards of Keiko Kumagai in a free-form exploration. Helden Rune from Italy cuts loose with "Nocturnal Voices",inspired by a television movie from Italy directed by Fabrizio Laurenti. It's a gothic,moody,organ/synth-dominated piece with vocals that's real creepy. The Morte Macabre boys,i.e. Landberk and Anekdoten,contribute a remake of "Irrealtà di Suoni" from Fulci's Gates Of Hell. As one would expect,there's a lot of mellotron here. Somnambulist,the goth/metal band from Tennessee,create an original track,"Laudenam",dedicated to the unholy three (Fulci,Bava and Argento). The book and double CD make an interesting combination. The book is very informative and the music is moody,dark and haunting. Fans of soundtrack music,especially Italian horror films,should consider this item.

Allen Gunnison

"Progression" 1999 (USA)