XINGYI/XINYI schools
SCHOOLS OF XINGYI/XINYI
Xingyiquan divides itself in various tradizioni: the original seems to be
that of the region of Henan , characterized by a strong Islamic imprint of
the Huihui (Uyghur) nationality and called XINYI LIUHEQUAN, that is
"kungfu of the Six Harmonies of the mind and the intention". It is a very
interesting and rather hard school that sets emphasis on the head-butt, on
the low kick and on delivering hits using all the various parts of the
body. It has as basic ten animal forms. The school of the XINGYIQUAN or
school of the "Form and of the intention" it is an evolution of the
preceding one (at times the similarities are remarkable) but the forms of
the animals are twelve and they are often preceded by five basic
techniques called "Five Elements", even if the most correct
translation could be the "Five Actions", with reference either to the
action of the Five Elements or to the real techniques. The Five Elements
are countersigned by two series, a creative (Wuxing xiangsheng = " The
Five elements produce themselves, the one after the other") and a
destructive (Wuxing xiangke = " The Five Elements are mutually
overpowering one after the other"). When the Five Actions are performed
"solo form" it is used the creative phase; when they are performed by
two persons (duilian) the destructive phase is used. The creative
phase is as it follows: Metal (Piquan, to break)> Water (Zuanquan, to
drill)> Wood (Bengquan, to crush)> Fire (Paoquan "esplosion") > Earth (Hengquan,
transversal). To these five actions, as we have seen, they follow
the 12 Animals that are: Dragon (Longxing), Tiger (Huxing), Monkey (Houxing),
Horse (Maxing), Alligator (Tuoxing), Rooster (Jixing), Hawk (Yaoxing),
Swallow (Yanxing), Snake (Shexing), Tai-bird (Taixing), Aquila-bear mixed
forms (Ying-Xiong xing). Although the school of the Xingyiquan has a lot
of subdivisions (there are particularly the Hebei and the Shanxi branches),
having studied her both it doesn't seem to me to be able to gather in them
meaningful differences. The first Xingyiquan that I have studied (already
in the distant 1988) it was that of Li Tianji, therefore of the Sun school.
Although since then I studied other schools, to it I have been
faithful. The first love cannot forget , they say. Many
Xingyiquan principles we find again in the Yiquan or Dachengquan: in
effects some static exercises are the same and also the visualization to
create the strength is similar. Apparently accustomed to other richer
schools of movements and more fanciful, many don't appreciate the XYQ; but
I find that it is really in its apparent simplicity that effectiveness and
beauty are found .
|