STATI UNITI

NOW WE'RE IN THE AIR

"Mattie Witting, who has been a screen mother to Jackie Coogan, Colleen Moore and many other screen stars will mother Louise Brooks in Now we're in the air in which Wallace Beery and Raymond Hatton will be starred"

"This film is said to have an increased love interest. It will at least have our interest since Louise Brooks is the heroine. We gather from the pictures we have seen of the production that Miss Brooks is some sort of circus performer, as she is shown succumbing to the temptation of abbreviated skirts. That is Miss Brooks's old weakness. But then it takes two to make such a costume shocking, one to wear it and one to look at it. The picture also includes Mr. Beery and Mr. Hatton in a number of goofy poses. Both seem to be in love with Miss Brooks. We hope Mr. Beery gets her, because Mr. Beery has, to our mind, the most fascinating kiss in the movies. He kisses as though all his previous life had been spent playing the saxaphone"

"Louise Brooks, the charming black haired Follies girl who plays twin sisters in Now we're in the air, came out of Kansas City to prove that the few screen stars who hail from that state are not mere accidents"

"Movieland meanderings ... Louise Brooks the dance that took her out of the Ziegfeld's follies and into the movies - a 76-foot Martin bombing plane being deliberatly wrecked for one of the big thrill scenes in Now we're in the air, the aviation burlesque starring Wallace Beery and Raymond Hatton - Beery allowing a machine gun marksmanto shoot off one of his shoes while he hangs while he hangs from a parachute trapeze in one of  the scenes"

"Louise Brooks is the leading woman for the stars, playing a dual role. She is lovely and capable in the part, but has little to do"

"Louise Brooks is the young lady who is the charming m'm'selle, and she does add something to the picture although unable to lift it entirely from the gutter type of comedy to which it sometimes descends"

"Louise Brooks, the charming and beutiful leading woman."

"The added feature of Now we're in the air is the presence of Louise Brooks as the heroine. One of the cleverest of the new stars, she has immense ability to appear 'dumb' but like those early Nineteenth Century actresses, commended by Chas. Lamb, she makes the spectators realize that she is only playing at being dumb"

"Louise Brooks is clever in the double part of the twins"

"In a helping way, Louise Brooks proves to be the real thing and it is to her that a lot of credit must go for her for her sincere work in a dual role"

"Louise Brooks plays both parts capably and charmingly"

"... Louise Brooks, the charming and beautiful leading woman, figures in the mistakes"

"Louise Brooks as the leading lady, too, was a happy selection, it is said. Young, beautiful and charming, in this picture she is doubly so, because she's twins, or in other words she has a dual role. She is French and German as well as clever and cunning"

"Louise Brooks, the leading woman ... is one of the most popular young beauties of the screen world"

"They fall in love with twin sisters, one of whom has been raised a German, the other a French girl, and who can scarecely be told apart, which is not surprising, since Louise Brooks plays both parts"

"... the exceedingly pretty Louise Brooks"

"They likewise find romance, as well as satorial splendor, for there are twin sisters in the picture, both played by Louise Brooks, and for once the boys do not lose out"

"Just for romance, there are twin sisters, economically and delightfully played by Louise Brooks"

"The twins, Grisette and Griselle, are both impersonated by Louise Brooks"

"Louise Brooks is cast in a dual role of twin sisters, one sympathizing with Germany, the other siding with France in the conflict. She looks good in both parts"

"Both the hulking and ungainly Beery and the cocky little Hatton give goofingly good accounts of themselves. Then there is Louise Brooks. She's the girl - or the girls - in the case, for Louise is twins in the story, and about this fact much of the comedy is woven"

"Louise Brooks provides heart interest by being a twin"

"An effort was also made to inject a little romance into the manuscript by having Louise Brooks play twins so that both Beery and Hatton could get a wife without having to hire a pair of leading women"

"Miss Brooks has a dual role. She is pretty, as usual, but thinner, I would say. She hasn't a lot to do and does that very well"

"Discernile in the dizzy doings attendant on such a war as was never fought on land or sea [is] Louise Brooks in what is supposed to be a dual role ..."

"She is Louise Brooks as both Griselle and Grisette, twin sisters, and Louise enacts the dual role capably"

"Louise Brooks, the charming and beautiful leading woman"

"Louise Brooks ... is one of the most popular young beauties of the Paramount organization"

"Louise Brooks, the leading woman, who has a dual role, playing twin sisters of different nationalities, which can only be done in a comedy, is one of the most popular young beauties of the Paramount organization. Her distintive bob and charm appeared to advantage in ...."

"You see there are pretty twin sisters, Grisette and Griselle, both played by the fetching Louise Brooks, who marry Wally and Ray, who cannot tell their wives apart except by their dogs, one a poodle, one a daschund"

"They both win the same girl, which gives Louise Brooks a chance to play her first dual role on the screen"

"Louise Brooks plays twin sisters and aids greatly in decorating the proceedings"

"You'll love Louise Brooks in the dual role of twin sister"

"Louise Brooks as twins, is - are - a beautiful foil for the stars and if you think she doesn't marry both of them before the picture ends, why, cogitate again, my darlings"

"[Louise Brooks] ... one of the most popular young beauties of the Paramount organization"

"Did we forget something? Yes, indeed - lovely Louise Brooks, she of  the beautiful legs, in a dual role"

"Louise Brooks is the welcome serious relief in an unwelcome comic background"

"Miss Brooks is the brightest spot in Now We're in the Air, for she may be always depended upon to be interesting, trig and snappy"

"Louise Brooks is seen as the feminine lead. She essays the role of twins. Which, if you know Louise, is mighty satisfactory. She is decorative enough to admire once, but when you are allowed the privilige of seeing her double, the effect is devastating"

"Louise Brooks, playing a dual role, makes a very decorative heroine"

"Louise Brooks is entrusted with the heart interest, and does well as a double-exposure twin"

"Louise Brooks wanders in and out between gags. She is very beautiful. She is especially beautiful when seen beside Mr. Beery"

"Add to this, occassional glimpses of Louise Brooks in a ballet costume"

"And Louise Brooks is the lovely maiden in support of both boys"

"Even the bit apportioned to Louise Brooks is such as to permit equal efficiency by any intelligent extra girl"

"No one else gets a break but the cast includes Louise Brooks"

"Louise Brooks is beautiful in the dual role of twin sisters with whom the psuedo-fliers fall in love"

"Louise Brooks is with them, in a dual role of a French and also a German sympathizer. Of course, Beery gets one girl and Hatton gets the other, but they never are sure just which they have, as the girls are twins"

"Louise Brooks, playing a double part, is in support"

"A good slapstick comedy Miss Louise Brooks takes the part of the heroine - in a double role"

"The team of comedians was fortunate this time in having Louise Brooks appear with them. Not satisfied, too, with having Miss Brooks appear as one heroine, they have her appear as twins, which does much to make the picture easy to enjoy"

"And this time they actually win the girl, or girls, played by the charming Louise Brooks"

"The qualities of the film are emphasized with the appearance of delectable Louise Brooks"

"... Louise Brooks, the charming and beautiful leading lady, ..."

THE CITY GONE WILD

"Louise Brooks is the 'moll', whose knowledge of the inner works makes her an important cog in the plot"

"Louise Brooks, the pert flapper, completely shadows the more important role allotted to Marietta Millner, and the 'girl of Gunner Gallagher' brief as her part is, is a far more intriguing character than the society girl of Miss Millner"

"Another distinct ornament of the cast is Louise Brooks, who lends considerable vividness to her portrait of a lady of the underworld. In fact, she gives so good an interpretation of the part that Marietta Millner, supposedly the feminine lead, actually relapses into only secondary importance"

"Fred Kohler as chief gunman, and Louise Brooks as 'woman,' give excellent performances"

"Besides Meighan the cast includes Marietta Millner, Louise Brooks, Fred Kohler, Duke Martin, Nancy Phillips, Wyndham Standing and others. James Cruze directed"

"Louise Brooks, as Gallagher's girl, walks away with the feminine laurels"

Anonimo, City gone wild stirring film, "Santa Barbara Morning Press", November 13, 1927

"Louise Brooks is excellent as the gunman's sweetheart"

"Marietta Millner and Louise Brooks are featured"

"Although Meighan is featured in the cast, he has his co-stars, Louise Brooks, one of Paramount's niftiest, and Fred Kohler, remembered for his great crook work in Rough riders and Underworld"

"No matter how unlovely are the things done by Kohler and Miss Brooks, they at least are real; real people in real life"

"Louise Brooks as the gangster's 'girl' gives a great performance"

"... pitting her against crookdom's love of Louise Brooks brings out the worst in all of us. On the credit side is Miss Brooks and also Fred Kohler in a role parallelling his Mulligan in Underworld. They do excellent work"

"Louise Brooks, a narrow broad who hangs out below the dead line"

"Kohler does some superb work as a gangster and he is aided by Louise Brooks, whose star continues in the ascendant"

"Pretty L.B. makes a charming lady of rather doubtful companions"

"Louise Brooks enacts well the role of his 'moll'"

"Louise Brooks fits nicely into the part of his hard-boiled, double-crossing sweetie"

"Louise Brooks as Snuggles Joy is a winner in her crook role"

"Louise Brooks captures the female honors for her excellent work at Snuggles Joy"

"Louise Brooks has an important part as Fred Kohler's gangster gal'"

"Louise Brooks is excellent as the gunman's sweetheart. Her's was a difficult role as the hardboiled underworld girl, but she did well in it"

Anonimo, City gone wild, orchestra and Nora Kelly are features, "Berkeley Daily Gazzette", November
          29, 1927

"Louise Brooks is excellent as the gunman's sweetheart. Hers was a difficult role, but she did well in it"

"Louise Brooks has an importnat part as Fred Kohler's 'gangster girl'"

"Louise Brooks gives an interesting characterization of a girl who is more crooked than the Hudson River. She is Gallagher's pal and maintains the hardboiled attitude a woman of the underworld probably would have toward life. Louise is by far the most fascinating member of the cast of  this picture"

"Louise Brooks, that decorative and electric brunette, acts the part of the sweetheart of the chief gangster - acts the part terribly. If Miss Brooks doesn't improve pretty soon she may have my permission to change her birthplace to Joplin"

"Fred Kohler and Louise Brook[e]s are excellent as a gunman and his girl, who are responsible for much of the vivid action"

"The handsome Louise Brooks is excellent as the vengeful sweetheart of a gunman"

"Louise Brooks, as the light o' love of one of the gunman does some of the best work of her career"

"Louise Brooks, Fred Kohler (last seen to high advantage in Underworld) and Marietta Millner play sincerely and well"

"the supporting cast, headed by Fred Kohler and Louise Brooks, put the picture over"

"Louise Brooks is attractive as the gangster's girlfriend"

"Louise Brooks is her cute, wiry little self as Snuggles, the gunner's girl friend"

"Louise Brooks and Marietta Millner are cast as the feminine lures, and do well enough at it"

"Louise Brooks is in the cast and that is something to grow ecstatic about. Christened with the preposterous name of Snuggles Joy, she is the most entrancing crook that ever pulled a Holt. No wonder the city went wild"

"He is well supported by Miss Millner, and to lesser extent by Louise Brooks"

"Louise Brooks his nifty looking sweetie"

"Thomas Meighan is just as colorless as usual; Louise Brooks makes an ordinary heroine and the rest of the cast struggle through their roles as well as possible"

"Marietta Milner who will be remembered as the leading lady of We're all gamblers, again appears in the principal feminine role, although perky Louise Brooks as 'Snuggles Joy,' the sweetheart of the leading crook character in the picture, easily walks away with feminine honors"

"Thomas Meighan, Marietta Milner and Louise Brooks have the principal roles. ... Miss Brooks walks away with all honors among the women members of the cast. She is all that is required of the vengeful 'Gallegher's girl'"

"Fred Kohler, Louise Brooks, Wyndham Standing and Mr. 'Gunboat' Smith are the members of the cast who do most to lend this subject a sharply authentic note"

Nel "Washington Post" del 15 Gennaio abbiamo: "Director James Cruze has assembled a notable cast including ... Louise Brooks" ed in quello del 22 Gennaio: "The supporting cast include ... Louise Brooks"

"Louise Brooks, a little thinner than usual, but her own piquant self just the same, takes second honors to Meighan. She takes the part of the gunman's girl, and a cold-blooded tough she is"

"Louise Brooks, who plays the crook's girl, is better looking, more attractive and a better actress than Marietta Millner, the district attorney's jeune fille, and in real life Tommy probably would have preferred her to Marietta"

"Louise Brooks is excellent as the gunman's sweetheart. Hers was a difficult role as the hardboiled underworld girl, but she did well in it"

A GIRL IN EVERY PORT  

"Louise Brooks, who has the main feminine interest, playing Mdame Godiva, the rag, bone and hank of hair that separates the big sailorman from his dough, is deft in her work"

"Of the girls there are many. Louise Brooks has the largest footage"

"And there is Louise Brooks, who, despite what the program may say, is always Louise Brooks"

Regina Cannon, Girl in every port ranked as amusing cinema attraction, "New York American",
          February 20, 1928

"Then comes THE women. She is Louise Brooks, pert, fascinating young creature, who does high and fancy diving for a living Miss Brooks 'takes' our hero in somewhat the manner that Grant took Richmond Louise Brooks has a way of making a junior vamp and infantile scarlet lady seem most attractive"

"Louise Brooks is the principal matter of contention ... Miss Brooks is as attractive as ever"

"Louise Brooks is present in a major-minor role, but succeeds in capturing very little of the honors for herself"

"Louise Brooks plays the amusement park high diver. Louise's hard eyebrows are an advantage in this role"

"Louise Brooks is the most conspicious of these ladies and Victor McLaglen and Robert Armstrong are the roving shipmates. Their work is excellent, but no more so than that of the minor members of the cast"

"Louise Brooks is at her loveliest. The rest of the gals from other ports are good to look at, too"

"Louise Brooks is the girl from France. She is extremely comely as the 'Godiva of the Sea'"

"An enjoyable comedy Louise Brooks takes her part well"

"Louise Brooks satisfactory as the girl who gyps McLaglen out of his savings"

"Louise Brooks is by no means the member of her sex in this production. She has nine or ten rivals, for the story takes us to more than one port. But Louise draws the only 'name' role. The others are just girls. ... Louise Brooks, with her pert appearance, is most satisfactory as the leading charmer"

"Your correspondent, partial to all the McLaglen performances, had a grand time watching A girl in every port, in which so much lovliness is contributed by that dark young venus, Miss Brooks"

"Various damsels rage through the action, but to Louise Brooks falls, as should, the plum feminine characterization. She pulls it off in her customary deft fashion - and the enchanting bob in which she first appeared before the movie camera"

"Louise Brooks is featured in the supporting company"

"Nobody could be more charming than Louise Brooks, that clinging and tender little barnacle from the docks of Marseilles. Director Howard Hawks and his entire cast, especially Robert Armstrong, deserve bouquets and kudos"

"Mr. McLaglen is good, and so are Robert Armstrong and Louise Brooks"

"The feature picture, starring Victor McLaglen and Louise Brooks, is one with many laughs"

"The outstanding feminine role is played very well, indeed, by Louise Brooks"

"Louise Brooks - a lovely littel waif from the docks"

"The shapely Louise Brooks is the head girl in the show"

"He has a prize associate in Robert Armstrong, who was the fighter in the stage version of Is Zat So, and Louise Brooks, cast as a sideshow siren, does capiatlly as the crisis of McLaglen's career as a seaport Don Juan"

"Victor McLaglen is starred with Robert Armstrong running a close second and Louise Brooks as the principal girl in the several ports in which the two sailors had sweethearts"

"Co-starred in the production, Louise Brooks supplies a portrayal which measures up to her past standards"

"The girl is Louise Brooks, who could supply half the so-called stars of Hollywood with 'IT' and still have enough left to outclass Clara Bow"

"Dainty, fascinating Louise Brooks finally captures the heart of the swaggering Spike and then the tables are turned and one is shown that the ladies, too, can love 'em and leave 'em""

"The main interest of the story comes when Spike meets his rival, and 'the' girl - Louise Brooks. From then on the picture might well be entitled 'A text book for pugilistic aspirants.' In a word, the picture is very amusing and eminently well worth seeing; well directed with Miss Brooks and Mr. McLagien forming a very delightful contrast"

"Then they meet the black-haired Miss Brooks who almost puts an end to their fighting and love-making"

"Eight young women, including Louise Brooks, support McLaglen in this picture"

"Louise Brooks does a fine performance as Marie, formerly Tillie, who is still crazy about Spike's buddy, but is hard-boiled enough to work Spike for his hard-earned cash"

"Louise Brooks, Leila Hyams, Natalie Joyce, Francis MacDonald and Robert Armstrong all do excellent work"

"... and Louise Brooks, though the latter has little to do, are splendid"

"Ten screen favorites play opposite McLaglen as the girls in the various ports, among whom are included Louise Brooks ..."

BEGGARS OF LIFE

"Wallace Beery and Louise Brooks and Richard Arlen head the company of 75 players who have gone to Jacumba Hot Springs to film the railroad scenes of Jim Tully's Beggars of life"

"If a location is within flying distance of Hollywood, he takes his 'ship.' He flew it to Jacumba, Calif., on the Mexican border, where a Paramount unit has just finished filming the thrilling railroad scenes of Beggars of life, Jim Tully's hobo epic. While Richard and Louise Brooks endured weary weeks in the sunburned mountain village, Beery was able to hop to Beverly Hills for dinner and back again in the morning"

"Metropolitan, continuous - Beggars of life with Wallace Beery and Louise Brooks. Tramp, Tramp, the hobooes are coming to town"

"Wallace Beery plays the lead, with Richard Arlen and Louise Brooks. All of these stars outdo themselves in this picture. Wallace Beery talks in this picture, sings a hobo song and ends with an observation about jungle rats in general"

"Of these three pictures it is the only one weakened by a conventional plot, a plot for which I see no reason except that it gives Louise Brooks a chance to wear boy's clothes and to jump a freight, both of which she always does, however, with an imperturbable maidenliness, generally to the synchronized accompaniment of 
sentimental music"

"No less important is Louise Brooks, in a difficult role"

"Louise Brooks, in a complete departure from the pert flapper that it has been her wont to portray, here definitely places herself on the map as a fine actress"

"And then there are those two capable and good-looking youngsters, Louise Brooks and Richard Arlen, who make the most of splendid parts and excellent casting and achieve enviable performances"

"No less important to the story and no less successful in her interpretation is Louise Brooks, that slim, graceful girl who has won her way to moving picture fame by the sheer force of her ability and personality. In Beggars of life she plays a difficult role wonderfully well and climbs many rungs on her ladder to stardom"

"The boy and girl roles are played well enough by Mr. Arlen and Miss Brooks"

"The role of Nancy is played splendidly by Louise Brooks"

"The acting, especially that of the principals, Richard Arlen, Louise Brooks, Robert Perry (who plays Snake) and I suppose Wallace Beery, as Red, is especially fine"

"Here we have Louise Brooks, that handsome brunette, playing the part of a fugitive from justice, and playing as if she meant it, and with a certain impressive authority and manner"

"Louise Brooks does the best work of her career as the stolid little murderess, fugitive among the hoboes"

"Incidently, Richard Arlen's juvenile vagrant, so delightfully played on the stage by James Cagney, is an excellent piece of work, while Louise Brooks's delineation of the girl fugutive is so good as to indicate that Miss Brooks is a real actress, as well as an alluring personality"

"The handsome Louise Brooks is cast as the maiden in the case and performs this part with her usual composure and talent for expressing starry eyed wonder"

"Louise Brooks does her best trouping: she is absolutely convincing"

"Richard Arlen, the juvenile lead, and Louise Brooks, who carries the feminine love interest, are just ordinary in their performances, while the only saving grace is Beery himself"

"Louise Brooks lost in male attire and a one-way expression of fright she never loses"

"It has an all-star cast, including Richard Arlen and Louise Brooks"

"Richard Arlen and Louise Brooks also capture honors for their sincerity and a poignant, moving quality they infuse into their roles without seeming to act at all. Miss Brooks, who has hitherto qualified as a particularly provocative figurante, now establishges herself as a real actress"

"No less important to the story and no less successful in her interpretation is Louise Brooks, a graceful girl who has won her way to moving picture fame by sheer ability and personality. In Beggars of  life she plays a difficult role"

"Louise Brooks as the pretty issue at stake"

"The role of the girl is played by Louise Brooks, whose appealing beauty is particularly suited to characterization"

"Louise Brooks, as usual, is decorative, never decorous"

"Tully has woven his story around a girl murderess (Louise Brooks) seeking to evade the law who joins a band of tramps"

"... and Louise Brooks, the latter showing considerable talent in the role of the girl who wasn't done right by until the eighth reel"

"No less important to the story and no less successful in her interpretation is Louise Brooks, that slim, graceful girl who has won her way to moving picture fame by the sheer force of her ability and personality. In Beggars of life she plays a difficult role wonderfully well"

"The picture is a raw, sometimes bleeding slice of life ... Both Arlen and Miss Brooks appear as effectively as I have ever seen either of them ... Miss Brooks, considering her record, does surprisingly well"

"Louise Brooks, who always looks gorgeous in beautiful clothes, suffers a bit from the man's garments called for by the role, but she does well"

"Wallace Beery, Richard Arlen (also playing in Wings) and Louise Brooks play the featured roles. All do praiseworthy work. By the way it is a sound picture and Wallace Beery speaks a few lines and sings a song. His speaking voice is splendid"

"Louise Brooks, as Nancy, does as capable a job as she has done within recent time. Miss Brooks, who has the only women's part in the film, is just another outcast who eventually finds happiness and love with Jim"

"Another good bit was a scene where Louise Brooks describes a murder. It is much the same way in which Victor Seastrom showed thoughts in Masks of the Devil. Miss Brooks' face was superimposed upon the action which took place during the murder, and thus the audience got her reaction to everything. It was very interesting"

"Louise Brooks and Richard Arlen play Nancy and Jim very well"

"At any rate he lends a masculinity that is agreeable and which persists even with the prominence given Louise Brooks as the only girl"

"Louise Brooks is appealing in one of the best roles that has drifted her way in many a moon"

"Louise Brooks is the girl, and Richard Arlen is co-featured with her in an important tramp role"

"You will like Louise Brooks as the homeless girl"

"Louise Brooks as the girl companion of the hoboes has splendid opportunies to display her talent as an actress, and critics are agreed that she is splendid in the role. It is the biggest role she has ever had"

"No less important to the story is Louise Brooks, that slim, graceful girl who has won her way to moving picture fame by the sheer force of ability and personality"

"Louise Brooks and Richard Arlen have prominent parts and do splendid work with them"

Anonimo, Opening attractions in Washington theaters, "Washington Star", November 12, 1928

"Its virtue lies chiefly in providing Wallace Beery a chance to return to a heavy dramatic role, Louise Brooks to wear masculine clothes, and Richard Arlen to subordinate his looks to his acting"

"Louise Brooks is interesting, with a cold, half-insolent beauty of face and figure masking a hidden fire. It is a new Louise Brooks"

"the picture while not beautiful is realistic. Louise Brooks and Richard Arlen do well in the leading roles"

"Louise Brooks, as the girl who murdered her guardian to save herself, and turns hobo to escape the vengence of the law, is an actress who will bear watching. She has a vivid personality. Her attempts to walk like her 'adopted' pal, Jim, so her masculaine disguise will not be discovered: her emotional reactions finely restrained as she lies beneath the stars with a haystack as a roof, and knows 'that all she wants is peace and a home,' give her opportunity to disclose some very effective acting in a subtle manner"

Fred Johnson, Charlie Murray Warfield comic, "San Francisco Call and Post", November 12, 1928

"Louise Brooks is a convincing boy tramp up to a certain point"

"Louise Brooks, whose acting is considerably better"

"Richard Arlen and Louise Brooks offer some sweetly romantic artistry as a young vagabond couple whose adventures on joining a rough band of wayfarers form the current of events"

"Louise Brooks essays the difficult role of a girl tramop escaping from police who seek her for murder. She is a star of no little amount of personality - the sort she would have to have to enable her to carry the type of role she has in this picture through successfully and that she does. If her career in pictures is further enhanced through her work in Beggars of life, it will not be underserved"

"Lovely Louise Brooks plays the role of a fugitive from justice"

"Louise Brooks and Richard Arlen provide a poignant note of romance with their tramp-land love affair, and the whole yarn is most effectively pictured. It's strong stuff, but it's good for what ails most of us"

"Louise Brooks gives a wonderful characterization of a girl fugitive"

"Heading the supporting cast are Louise Brooks and Richard Arlen"

"Miss Brooks does good work"

"Louise Brooks is cute in her little trousers, and not so cute in the final feminine sun bonnet This is a rough, romantic, tender, dramatic, and very good indeed"

"Its salient features are excellent acting on the part of Mr. Beery, Richard Arlen and Louise Brooks"

"Louise Brooks and Richard Arlen have the two romantic roles"

[ Index ] [ Pagina superiore ] [ Louise Brooks, i giudizi della critica americana I (1926-1955) ] [ Louise Brooks, i giudizi della critica americana II (1926 - 1955) ] [ Louise Brooks, i giudizi della critica americana IV (1926 - 1955) ] [ Louise Brooks, i giudizi della critica argentina, sudafricana (1926-1955) ] [ Louise Brooks, i giudizi della critica inglese, belga, spagnola e portoghese (1926-1955) ] [ Louise Brooks, i giudizi della critica tedesca (1926-1955) ] [ Louise Brooks, i giudizi della critica italiana e francese (1926-1955) ] [ Louise Brooks, i giudizi della critica americana III (1926 - 1955) ]